Today was the day for 100 artists to turn in their completed boxes to PlacerArts. Here are a few pix of my box as it progressed over the past few weeks. I have always claimed to work best under pressure, but I think that’s just an excuse for procrastination! I was touching up and removing tape that was holding the flowers together while the epoxy set a few hours before the deadline.

Every project seems to have at least one technical problem to work out and this one was no exception. I wanted the polymer flowers to look casually piled up in the basket, which required them to be attached to one another at barely-touching points with tiny dabs of epoxy…a definite test of patience as they flexed and slid around!

I’m happy with my Flower Basket, but I was blown away by a number of the other entries of which I caught a glimpse today. Can’t wait for the show to open and my fingers are crossed that all the submissions bring high auction bids. The arts are taking a beating these days and PlacerArts needs all the support we can give.

OUTSIDE THE BOX show: April 8-May 22, 2010
OUTSIDE THE BOX live auction: May 22, 2010
PlacerArts – Auburn, CA

Maureen

I wanted to tone down the wood of my “Outside the Box” box. The finished piece may be prone to scratching so I didn’t want to fuss with paint. I found a great solution on an internet site called Extreme Restoration about the restoration of old clocks. Here’s an earth-friendly recipe suggested for “aging” new wood:

Start with clean wood and try not to handle the wood with other than clean hands throughout the staining process. I ended up with a few visible fingerprints on my piece; however, they are in an area that ultimately won’t be visible so not earth-shattering. A test piece would be a great idea to help you know how many vinegar layers to lay down to get the effect you want.

Pull apart some 0000 steel wool, place the pieces in a lidded glass jar, and add enough white vinegar to cover, plus an inch or so. Set aside to react for 24-48 hours. I expected the vinegar to change to a rusty color, but it didn’t.

Brew some strong tea to get as dark a brew as possible and allow to cool. Paint the wood with the tea (I used a sponge brush) and allow to dry. My plywood/MDF didn’t change color much from the tea, but the point is to get a layer of tannic acid on the surface of the wood.

Once dry, paint the wood with the vinegar solution. Try not to handle the wood while wet as fingerprints may be left. Now, wait for the magic to happen! Overlapping the vinegar can result in darker areas so refer to your test piece. If the result is darker than you’d like you can try sanding lightly.

My project turned a beautiful blue/gray/green. Different woods will obviously react differently. I’m very pleased with my “aged” wood and I will definitely keep this technique in my bag of tricks!

Maureen

After a discussion with Betsy Baker of Stonehouse Studio last month at Synergy2 I decided to take the plunge and open a storefront at 1000 Markets. Aaargh – I’m doing my best to link my website, Etsy, Facebook, and (now) 1000 Markets accounts together; it is certainly a challenge to keep up with it all! Extra hard when spring weather has the garden going wild and screaming for attention. Such a dilemma….play in the studio or play in the garden…hmmmmmm……

Maureen

Well, the box has been staring at me for the past 6 weeks. Drop-off day is fast approaching. I’ve changed my plans about 3 times, but I won’t divulge as perhaps there’s a good idea in there for next year’s challenge. I finally split the thing in half, sanded and smoothed it and I’m assembling some parts and pieces. I hope I’m not giving myself away!

Maureen

Many, many hours of planning and organizing the Synergy2 Gallery with Mary Fassler and Judy Belcher along with short, sleepless nights in Baltimore made me feel all this week that I needed to be doing something related to the conference. It took me a few days to realize that it’s time to get back to whatever it was I was doing pre-Synergy2…art show applications, gallery replenishment, and, hopefully, some actual time in my studio followed by photography, blogging, website updating. Yikes, better get cracking!!!

A conference with so many components creates a slightly different experience for each attendee. Although I spent the majority of my Synergy2 time tending to the Gallery I was able to attend portions of a few presentations, the opening night Ford/Forlano talk, and the closing night banquet. Here’s the Charm City / “Ace of Cakes” creation made especially for the International Polymer Clay Association’s 20th anniversary. It served over 200 people and it was yummy! The Ace of Cakes crew were given pictures and books of polymer clay art for inspiration. The top layer was definitely Ford/Forlano-esque! I kept visiting while in the cake line and lost my place a few times so was happy that I finally made it to the front before every piece was gobbled up.

I left Synergy2 with loads of inspiration and a strong desire for more tools…a kiln and enameling equipment as a result of snippets of presentations by Tam Honaman and Gwen Bernecker. The best part of the conference experience for me was the opportunity to meet and chat with all the fabulous artists. We heard so many times how the polymer community has advanced artistically by leaps and bounds even compared to just two years ago.

Back to work!

Maureen