Today In My Garden – July 26
I’m enjoying my weekly forays into the garden. It sharpens my photography skills. It also simply gets me out there, something I am pretty loathe to do at the peak of summer!
Maureen
Maureen Thomas Designs
Polymer Clay and Other Art-Related Things
Maureen
Maureen Thomas Designs
I posted a collage of my new ONION SLICE pendants which includes the onion slice that inspired me to create them. I tried to come up with all sorts of clever names for the series, but they all seemed to be copyrighted business names so I left them alone….ONION SLICE pendants it is until I have a better brainstorm.
I just posted a few on Etsy. Love that I can put some of my vast vintage button collection to work so I think I’ll be making more.
I am learning more and more to keep my eyes open for interesting shapes, patterns, and colors to use in my work. Mother Nature usually provides me with inspiration, but you never know what you’ll find….
The Sacramento summer heat has arrived, making the garden look a bit tired. So, some closeup and macro views to focus on the things that still have some life left in them.
Today is an overcast, drizzly day…perfect for garden photography. We are in a “Mediterranean” climate and are fortunate to be able to grow many Mediterranean plants as well as plants from Australia and New Zealand. There are many beautiful natives to the Sierra Nevadas as well. As in gardens everywhere, there is always something blooming in the springtime…
I likely wouldn’t have made these pendants had it not been for the challenge (and the deadline). Lesson learned: if feeling creatively stuck, bored, or stifled try challenging yourself or your guild. The challenge can be very specific or as broad as a shape or color. Hopefully, you’ll strain your brain a bit and explore a technique you’ve been meaning to try or perhaps you’ll come up with something totally new!
Thanks, Clayville!!!
Every project seems to have at least one technical problem to work out and this one was no exception. I wanted the polymer flowers to look casually piled up in the basket, which required them to be attached to one another at barely-touching points with tiny dabs of epoxy…a definite test of patience as they flexed and slid around!
I’m happy with my Flower Basket, but I was blown away by a number of the other entries of which I caught a glimpse today. Can’t wait for the show to open and my fingers are crossed that all the submissions bring high auction bids. The arts are taking a beating these days and PlacerArts needs all the support we can give.
OUTSIDE THE BOX show: April 8-May 22, 2010
OUTSIDE THE BOX live auction: May 22, 2010
PlacerArts – Auburn, CA

I wanted to tone down the wood of my “Outside the Box” box. The finished piece may be prone to scratching so I didn’t want to fuss with paint. I found a great solution on an internet site called Extreme Restoration about the restoration of old clocks. Here’s an earth-friendly recipe suggested for “aging” new wood:
Start with clean wood and try not to handle the wood with other than clean hands throughout the staining process. I ended up with a few visible fingerprints on my piece; however, they are in an area that ultimately won’t be visible so not earth-shattering. A test piece would be a great idea to help you know how many vinegar layers to lay down to get the effect you want.
Pull apart some 0000 steel wool, place the pieces in a lidded glass jar, and add enough white vinegar to cover, plus an inch or so. Set aside to react for 24-48 hours. I expected the vinegar to change to a rusty color, but it didn’t.
Brew some strong tea to get as dark a brew as possible and allow to cool. Paint the wood with the tea (I used a sponge brush) and allow to dry. My plywood/MDF didn’t change color much from the tea, but the point is to get a layer of tannic acid on the surface of the wood.
Once dry, paint the wood with the vinegar solution. Try not to handle the wood while wet as fingerprints may be left. Now, wait for the magic to happen! Overlapping the vinegar can result in darker areas so refer to your test piece. If the result is darker than you’d like you can try sanding lightly.
My project turned a beautiful blue/gray/green. Different woods will obviously react differently. I’m very pleased with my “aged” wood and I will definitely keep this technique in my bag of tricks!

Well, the box has been staring at me for the past 6 weeks. Drop-off day is fast approaching. I’ve changed my plans about 3 times, but I won’t divulge as perhaps there’s a good idea in there for next year’s challenge. I finally split the thing in half, sanded and smoothed it and I’m assembling some parts and pieces. I hope I’m not giving myself away!
Many, many hours of planning and organizing the Synergy2 Gallery with Mary Fassler and Judy Belcher along with short, sleepless nights in Baltimore made me feel all this week that I needed to be doing something related to the conference. It took me a few days to realize that it’s time to get back to whatever it was I was doing pre-Synergy2…art show applications, gallery replenishment, and, hopefully, some actual time in my studio followed by photography, blogging, website updating. Yikes, better get cracking!!!
A conference with so many components creates a slightly different experience for each attendee. Although I spent the majority of my Synergy2 time tending to the Gallery I was able to attend portions of a few presentations, the opening night Ford/Forlano talk, and the closing night banquet. Here’s the Charm City / “Ace of Cakes” creation made especially for the International Polymer Clay Association’s 20th anniversary. It served over 200 people and it was yummy! The Ace of Cakes crew were given pictures and books of polymer clay art for inspiration. The top layer was definitely Ford/Forlano-esque! I kept visiting while in the cake line and lost my place a few times so was happy that I finally made it to the front before every piece was gobbled up.
I left Synergy2 with loads of inspiration and a strong desire for more tools…a kiln and enameling equipment as a result of snippets of presentations by Tam Honaman and Gwen Bernecker. The best part of the conference experience for me was the opportunity to meet and chat with all the fabulous artists. We heard so many times how the polymer community has advanced artistically by leaps and bounds even compared to just two years ago.
Back to work!
Synergy2 is only three weeks away. I can’t wait to see all the fabulous polymer clay work in the Gallery and Exhibit. Friend and fellow Clayville California member, Victoria James, submitted this beautiful polymer clay and pine needle basket for the exhibit, which made the back cover of the Synergy2 Exploring Connections exhibit catalog…very exciting news! The conference theme revolves around collaboration. The Exhibit showcases artwork either produced by one artist in mixed media or made by two or more artists working together (or both).
Please stop by the Gallery and say hello if you will be in Baltimore!